James M. Cain News

The Repertory Theatre of St. Louis (The Rep) presents the suspenseful play Double Indemnity, based on the novel by James M. Cain, adapted for the stage by David Pichette and R. Hamilton Wright, and directed by Michael Evan Haney. This crime-filled caper will be performed on the Browning Mainstage of the Loretto-Hilton Center for the Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves, tonight, March 13-April 7, 2013. BroadwayWorld has a first look at the cast in action below!

The Repertory Theatre of St. Louis (The Rep) presents the suspenseful play Double Indemnity, based on the novel by James M. Cain, adapted for the stage by David Pichette and R. Hamilton Wright, and directed by Michael Evan Haney. This crime-filled caper will be performed on the Browning Mainstage of the Loretto-Hilton Center for the Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves, tonight, March 13-April 7, 2013.

The Repertory Theatre of St. Louis (The Rep) presents the suspenseful play Double Indemnity, based on the novel by James M. Cain, adapted for the stage by David Pichette and R. Hamilton Wright, and directed by Michael Evan Haney. This crime-filled caper will be performed on the Browning Mainstage of the Loretto-Hilton Center for the Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves, March 13-April 7, 2013.

Ryan Landry and the Gold Dust Orphans take on Joan Crawford (and Bette Davis) in the noir musical MILDRED FIERCE. Add this one to a long string of hilarious productions recognized by their clever irreverence, dazzling costumes, done-on-a-dime sets, and multi-talented ensembles. Varla Jean Merman is the icing on the cake.

Bill Plympton's Kickstarter campaign blew past its $75,000 goal yesterday thanks to the 1000+ backers that pledged between $1 and $5,000 to the project. With 16 days left to go, the campaign announced a new 'stretch goal' of $90,000 to help with P&A (prints and advertising). Backers of CHEATIN' can receive a variety of rewards including signed DVDs, limited edition lithographs, original animation drawings from the film, and personalized caricatures by Plympton himself.

New England premiere at Stoneham Theatre owes top billing to designers for creating noir atmosphere, but the acting can't match the vitality of iconic screen figures.

The Old Globe today announced its 2013 Summer Season. Adrian Noble will return for his fourth season as the Artistic Director of the Globe's Shakespeare Festival and direct Shakespeare's The Merchant of Venice starring Festival veteran Miles Anderson. Noble will also direct Tom Stoppard's classic farce, Rosencrantz and Guildenstern are Dead. Presented in repertory in the outdoor Lowell Davies Festival Theatre, the Festival will also include the perennial favorite A Midsummer Night's Dream. The Summer Season will also feature N. Richard Nash's romantic comedy The Rainmaker and the San Diego Premiere of Double Indemnity, based on the classic novel by James M. Cain and adapted for the stage by David Pichette and R. Hamilton Wright. The Rainmaker will run on the Donald and Darlene Shiley Stage in the Old Globe Theatre and Double Indemnity in the Sheryl and Harvey White Theatre, both part of the Globe's Conrad Prebys Theatre Center. Tickets to the Globe's 2013 Summer Season are currently available by subscription only, and prices range from $66 to $422. Subscription packages may be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the box office.

From stolen pearls to a glove left at the scene of the crime, from an excess of red lipstick to the postmodern gangster silhouette, fashion and style are commonly utilized in film to glamorize and glorify criminal behavior. These images and more will be the focus of the third New York edition of the London-based Fashion in Film Festival to take place at Museum of the Moving Image from today, May 4 through May 13, 2012. Titled If Looks Could Kill, the Festival explores the compelling links between cinema, television, fashion, crime, and violence.

The Repertory Theatre of St. Louis (The Rep) is today announced its 2012-2013 season of performances on the Mainstage, as well as the three productions to be performed by its Imaginary Theatre Company (ITC). The three productions to be included in the Studio Theatre season will be announced in July.

From the dark and treacherous streets of 1930s LA comes a tale of betrayal, lust, and murder as the San Jose Rep stages the world premiere of the noir classic Double Indemnity.

A veteran cast brings its acclaimed performance of the noir classic Double Indemnity to San Jose, in a world premiere co-produced by the San Jose Repertory Theatre and Seattle's A Contemporary Theatre (ACT). The ensemble of five actors from Seattle and the Bay Area brought the story to stage during a successful run of Double Indemnity in Seattle in October 2011.

From the dark and treacherous streets of 1930s LA comes a tale of betrayal, lust, and murder as the San Jose Rep stages the world premiere of the noir classic Double Indemnity.

From the dark and treacherous streets of 1930s LA comes a tale of betrayal, lust, and murder as the San Jose Rep stages the world premiere of the noir classic Double Indemnity.

Today we are taking a look at the very best theatre-related entities in a variety of different categories - books, music, television, film, and, of course, theatre - as we look back on 2011 and all of the many marvelous moments of excitement, passion, joy and exultation that only theatre and theatre-related projects can possibly hope to provide. From Stephen Sondheim's LOOK, I MADE A HAT on the bookshelves of every Broadway baby worth their weight in sequins to Neil Patrick Harris and Patti LuPone in Sondheim's COMPANY on the big screen courtesy of Fathom to the stunning Broadway revival of FOLLIES starring Bernadette Peters and its tremendous new cast album, all the way to the thrills and chills of Andrew Lloyd Webber's PHANTOM OF THE OPERA LIVE AT THE ROYAL ALBERT HALL on the big screen and Blu-ray to the BOOK OF MORMON breaking Broadway records and even TV's best drama and comedy, both from mastermind Ryan Murphy - GLEE and AMERICAN HORROR STORY. Plus, we also have top film picks in the categories of Drama and Comedy, as well as the best of the best of them all, with Lars Von Trier's apocalyptic masterpiece MELANCHOLIA, George Clooney's play adaptation THE IDES OF MARCH and the 80s music video stylized thriller/drama DRIVE topping the list. All of that and a whole lot more awaits in this all-encompassing look back at the theatrical highlights in all entertainment realms in 2011, as well as a look ahead to what we cannot wait for in 2012!

The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) have announced nominations for outstanding achievement in television, news, radio, promotional writing, and graphic animation during the 2011 season. The winners will be honored at the 2012 Writers Guild Awards on Sunday, February 19, 2012, at simultaneous ceremonies in Los Angeles and New York.

Being a fan of film-noir, I was delighted to have the opportunity to review "Double Indemnity," the final show of A Contemporary Theatre's 2011 season. Adapted from James M. Cain's 1936 novella, it's basically the same framework as his 1934 novel "The Postman Always Rings Twice." If you're unfamiliar with the storyline, I shan't spoil the fun.

Being a fan of film-noir, I was delighted to have the opportunity to review "Double Indemnity," the final show of A Contemporary Theatre's 2011 season. Adapted from James M. Cain's 1936 novella, it's basically the same framework as his 1934 novel "The Postman Always Rings Twice." If you're unfamiliar with the storyline, I shan't spoil the fun.

ACT Theatre concludes its 2011 Season with the noir thriller, Double Indemnity, by James M. Cain and adapted for the stage in this world premiere by Seattle favorites, David Pichette and R. Hamilton Wright.

ACT - A Contemporary Theatre wraps up 2012 with performances that both celebrate the holidays and provide an artful array of seasonal alternatives. With offerings that range from a crime thriller to a Christmas tradition, teen angst to a nativity parody, tell-all shorts to Pinter treasures and more, the year-end promises another unforgettable series of live events at the corner of 7th and Union.

ACT Theatre concludes its 2011 Season with the noir thriller, Double Indemnity, by James M. Cain and adapted for the stage in this world premiere by Seattle favorites, David Pichette and R. Hamilton Wright.